Repairing the Brooklyn Cocktail, part 2

While I was working through the Brooklyn Cocktail’s evolution and formula for the previous post, my Bride brought home a couple of bottles of Dad’s Hat Pennsylvania Rye whiskey.

One sip of Pennsylvania rye reminded me that in pre-Prohibition New York, the whiskey in your cocktail was likely very different from the Kentucky-style rye we’re most familiar with these days, like Rittenhouse or Sazerac or Overholt—the ryes I was using in that previous post. The whiskey a Brooklyn drinker encountered a hundred years ago would have been Maryland or Pennsylvania rye, long on barley and malt, perhaps some corn in the Maryland product; more fruity, spicy, and grainy, and often younger and less oakey than modern rye whiskies.

There aren’t many examples of that whiskey around these days. (David Wondrich recently described why they disappeared here and here.) Leopold Bros. has a Maryland-style rye, and Dad’s Hat has a handful of bottlings of Pennsylvania-style rye available in a few markets.

These whiskies, the Maryland and the Pennsylvania (sometimes called “Monongahela”) ryes, present themselves very differently from western, Kentucky-style ryes. The flavor of a Pennsylvania or Maryland rye lies somewhere in the middle ground between Scotch and Bourbon.

If we make a Brooklyn Cocktail with these ryes, but using the proportions we worked out for western ryes in the previous post, we get a very different, and not very good, whiskey-heavy mishmash of a cocktail. The nose is all about barley malt, with very little of the cherry scent that the western ryes encouraged. The initial taste is drier, and much more dominated by the whiskey. Maraschino and Ramazzotti add sweetness, but aren’t particularly identifiable. The aftertaste is barley malt, whiskey, and faintly cherry.

Clearly, the change in flavor profile means that a Brooklyn based on these Eastern ryes needs a completely different formula from the one we published last time.

And here’s where the history of the Brooklyn comes full circle. Jacob Grohusko’s original formula specified equal parts rye whiskey and Italian vermouth—a mixture that we noted (last time) seems far too sweet—but then we were mixing with western ryes.

If we use a good Pennsylvania-style rye—for example, Dad’s Hat 90 proof—the balance changes, and the original one-to-one formula is very close to perfect. What seemed at first glance to be a very sweet cocktail in the style of the Golden Age turns out to be balanced and subtle, and very much in line with the drier tastes of the 21st century.

The Brooklyn Cocktail, made with Dad's Hat 90 proof Pennsylvania Rye Whiskey. Photo © 2018 Douglas M. Ford. All rights reserved.
The Brooklyn Cocktail
The Brooklyn Cocktail
Based onJ A Grohusko, Jack’s Manual, 1908

  • 1½ oz (45 ml) Monongahela-style rye whiskey (Dad’s Hat Pennsylvania rye)
  • 1½ oz (45 ml) Italian vermouth (Cocchi Vermouth di Torino, M&R Rosso)
  • ½ oz (15 ml) Maraschino liqueur (Leopold Bros.)
  • ¼ oz (7.5 ml) Ramazzotti
  • 2–3 dashes orange bitters

Stir with ice until very cold. Strain into a small chilled cocktail stem. Originally served without garnish, but a cherry is an appropriate decoration.

The Dad’s Hat Pennsylvania Rye is a young, 90-proof (45% ABV) whiskey made with 80% rye, 5% malted rye, and 15% malted barley. With such a high percentage of malt, and particularly the unusually high percentage of malted barley, the flavor sensation is much drier than Kentucky-style ryes; I’m no chemist, but I suspect that the high portion of malt is the element that ties together the whiskey flavors and the large proportion of sweet vermouth so elegantly, and keeps the sweetness of the vermouth under control.

This formula ups the portion of Maraschino a bit. A half-ounce is certainly a far cry from Grohusko’s original “dash,” but I think it blends well here if your Maraschino isn’t too sweet, and it helps the cherry scent and flavor to cut through the large proportions of whiskey and vermouth.

Dad's Hat Brooklyn Cocktail (detail), photo © 2018 Douglas M. Ford. All rights reserved.Which gets me thinking about a comment Fred Yarm left on the previous post, about preferring a mellow rye (like Old Overholt) to a more fiery one (like Rittenhouse), because the softer ryes allow the maraschino and amer flavors to express themselves better. That suggests why a Monongahela-style rye works better in the Brooklyn than the Kentucky-style ryes. And while Fred and I don’t see eye to eye on this (yet—maybe I just need to find the right whiskey) when the discussion is purely about Kentucky rye options, Pennsylvania rye whiskey changes the game entirely; the softer (and maltier) profile of the Dad’s Hat makes all the difference in the Brooklyn, so much so that it’s unlikely I would ever make one again with a western-style whiskey.

All of that notwithstanding, current reality is that Monongahela and Maryland ryes are available in only a few markets, and for many, perhaps most, people reading this post, the western, Kentucky-style rye is the only whiskey available. Given that reality, the formula from the previous post gets pretty near to the most realistic Brooklyn Cocktail you’re likely to make at home.

But if the Dad’s Hat 90 proof or other Monongahela or Maryland rye is available in your market, you owe it to yourself to give it a try. A Brooklyn made with high-barley, high-malt rye is a completely different, and in my opinion, completely superior cocktail. If any cocktail can challenge the Manhattan for dark, round “whiskiness,” this is it.


18 thoughts on “Repairing the Brooklyn Cocktail, part 2

Add yours

  1. Doug,

    Long-time subscriber, seldom commentator. Thank you for your missives on cocktails and alcohol. Your writing is sublime and always bring a smile to my face, along with edifying me on the numerous ways to make and enjoy an adult beverage. I have a greater appreciation for the nuances of rye and art of making a Brooklyn. Keep on keeping on. If you ever find yourself in Seattle, look me up. I will gladly buy you a cocktail or three and pass some time away romanticizing our favorite drinks. Cheers…

    Jim

  2. Another excellent post on what I always think of as “grown-up” cocktails. I’ve tried making a Sazerac before, but didn’t use the rye whiskey, which was a mistake. After reading your post, I am inspired to buy a bottle of rye whiskey now, and experiment with this drink and with my previously-failed attempt at the Sazerac. Thank you!

    1. The standard substitution would be a high-rye bourbon, like Four Roses Small Batch (one of my favorites), Old Grand Dad, Bulleit, or perhaps Woodford. I’ve not tried a Brooklyn with Bourbon, and I suppose I should one day; I would expect the drink to seem sweeter, as is usually the case with bourbon, so I’d likely reduce the proportion of sweeteners added to the cocktail—so lighter on the sweet vermouth and Maraschino for starters. Thanks for the question, I like things that take my thinking in a new direction.

      1. Hi Doug, thank you very much for your kind reply. Rye is almost impossible to find here, unless a friend brings a bottle. I’ve been using Canadian Club as a substitute. In some cases like the Sazerac I prefer to go back to the roots and change the non-existent Rye by Cognac. All the best

  3. I had an idea that I could make something in the Brooklyn vein using Scotch, and it actually worked out rather well. My recipe was:

    2oz Scotch (I used Monkey Shoulder blended malt)
    1/2 oz Ramazzotti
    1/2 oz Punt e Mes
    one or two dashes of Peychaud’s bitters.

    Give it a try! It also needs a name.

    1. Hmm, I’ve found a fairly similar drink on Punch, called the Casualty. Made from 1.5 oz blended Scotch, 3/4 oz Montenegro, 3/4 oz Byrrh and 2 dashes chocolate bitters.

      I don’t have Byrrh so I made it with Dubonnet instead. Another nice drink.

  4. Long-time subscriber, first comment & also a question. I really like your writing and your photographs make it.

    Question: I didn’t think I’d particularly like bourbon as I usually drink Barbancourt Rhum. However, I am now hooked on the Green label Bulleit rye. I never had a Sazerac. Would this make a good one? I only drink the Bulleit on ice, so far….wanting to branch out.

    1. Hi, Kathy, sorry for the delayed response. Thank you for the compliments, I’m glad you enjoy Cold Glass.

      So you’re turning into a whiskey person, eh? Excellent. The Bulleit Green Label would make a fine Sazerac, I recommend that you give it a try. Branching out with the classics is always a good idea.

      Thanks for reading, and for the question.

  5. Just got a bottle of Wigle Pennsylvania Rye from my niece who lives in Pittsburgh— will try it in Doug’s recipe above tonight, with CioCaro instead of Ramazzotti…

  6. Just tried it— with the Wigle rye and CioCaro with the Cocci vermouth and Luxardo maraschino. A little too sweet for me (but delicious nonetheless)— I love ‘em dry and boozy, so next time I’ll dial up the rye, dial back the vermouth and maraschino. Thanks— I have always been intrigued with the Brooklyn and love your take on it!!

  7. Hi Doug, Great “series” on the Brooklyn cocktail! I live on Guam and we have a pretty limited selection of liquors here. The only Rye we can get now are Jim Beam Pre-Prohibition style and Bulleit Rye. Can also get Whistle Pig but it is $110 a bottle. We have a better supply of bourbons, but mostly the mainline brands. I have Ramazzotti and Luxardo Maraschino from a trip off-island a few years ago. Have had the Brooklyn with these ingredients (M&R vermouth).
    I have considered blending the ryes and maybe a bourbon to simulate other ryes, but I have know Idea what they taste like! Don’t even know how the Jim Beam and Bulleit Rye fit into the equation.

    Anyhow, I enjoy your musings on cocktails and envy the ability to get “unusual ingredients! Keep it up.
    Rick Wood

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